God of Thunder captured by a crab [right of the pair Gods of Wind and Thunder] by Satake Eikai

God of Thunder captured by a crab [right of the pair Gods of Wind and Thunder] c. mid 19th century

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painting, ink

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narrative-art

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ink painting

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painting

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asian-art

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ukiyo-e

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japan

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figuration

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ink

Dimensions: 42 3/16 × 16 in. (107.16 × 40.64 cm) (image)85 × 20 1/4 in. (215.9 × 51.44 cm) (mount)

Copyright: Public Domain

Satake Eikai painted this image of the God of Thunder with ink and color on silk. The deity, Raiden, beats his drums to unleash the fury of storms, and the waves at his feet echo this primal force, yet he is ensnared by a crab. The drums themselves are potent symbols, reminiscent of shamanistic rituals where rhythmic sounds bridge the earthly and divine. Across cultures, drums invoke a primal response, stirring subconscious depths. We see echoes of this in ancient Greek rites, where drums accompanied the ecstatic dances of Dionysus. The crab, seemingly an unlikely adversary, might represent the subtle powers of the natural world that can humble even the gods. This recalls the cyclical nature of existence, where strength and vulnerability intertwine. The crab appears in many cultures, as a symbol of the moon, transitions, tides, and the subconscious. This image captures that cyclical dance, where a god of immense power is momentarily checked, reminding us of the ever-shifting balance between chaos and order.

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

This humorous pair of scrolls shows the gods of wind and thunder being ambushed by worldly creatures. On the left, the Wind God, identifiable by the deflated wind-producing bag at his side, has been captured by a swooping hawk. On the right, the Thunder God has abandoned the drums he uses to produce the sound of thunder while attempting to escape the pincers of a crab. This lively theme was popular with the Kanō painting school during the Edo period, so the fact that Eikai, who studied under literati painter Tani Bunchō, took on this subject is rather exceptional.(2013.30.19.1-.2)

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