Staand mannelijk naakt met zwaard, naar rechts by Pieter de Josselin de Jong

Staand mannelijk naakt met zwaard, naar rechts 1879

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drawing, pencil, charcoal

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pencil drawn

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drawing

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pencil sketch

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charcoal drawing

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figuration

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pencil drawing

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pencil

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portrait drawing

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charcoal

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academic-art

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nude

Dimensions: height 670 mm, width 488 mm

Copyright: Rijks Museum: Open Domain

Curator: Standing before us is "Standing Male Nude with Sword, Facing Right" a work created with pencil and charcoal in 1879 by Pieter de Josselin de Jong. What leaps out at you? Editor: Anxious energy, definitely. The hand plunged in his hair, the almost careless way he holds that massive sword... It’s the eye of the storm, I think. That's how this piece makes me feel. Curator: An interesting read! Josselin de Jong produced this drawing as an exercise in human anatomy. Note the artist’s academic style: a detailed rendering of the human form intended to display skill. Editor: True. It does telegraph the artist's attention to rendering muscles and bone structure with some precision, especially in the chest and legs. And the light and shadow create a definite sense of volume. But I wonder what the sword adds to it? It almost feels out of place. A phallic symbol perhaps? An emblem of power momentarily set aside? Curator: Precisely! Swords, throughout art history, typically signify power, justice, even sacrifice. Consider this one next to his vulnerable state. Perhaps the drawing is a symbolic expression of inner conflict. Editor: Maybe a reluctant warrior? Or perhaps the sword symbolizes a choice, or a burden he's weary of bearing? Curator: The subtle shading lends a kind of vulnerability to the figure as well. It softens what could have been a purely academic, perhaps even cold, study. Editor: It’s what elevates it, really. Because the sketch suggests narrative possibility...it pulls you in, makes you wonder. Art that simply displays technique is...well, just display. Curator: True. The intersection between academic tradition and symbolic language opens up all kinds of imaginative territory for us as viewers, doesn't it? Editor: Definitely gives you food for thought – I feel almost implicated, a voyeur in some untold drama, not just observing an anatomical study. Curator: And maybe that tension is what makes this piece so memorable, its ambiguity, its restless energy. A simple study transcends to something quite thought provoking!

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