Brief aan anoniem Possibly 1866

This letter to an unknown addressee was written in 1866 by Albert Neuhuys, an artist associated with the Hague School. In his letter, Neuhuys mentions sending a contribution, namely a charcoal drawing titled ‘Souvenirs.’ At this time, the art world was changing, impacted by industrialization and the rise of the middle class. Artists navigated between traditional patronage and emerging commercial markets. The letter gives insight into the artist’s negotiation of these circumstances. Neuhuys’s elegant script reveals a personal relationship, and offers a glimpse into artistic collaboration and support networks. The mention of a ‘contribution’ and reference to a ‘charcoal drawing’ speaks to the nature of artistic production and exchange. The sum mentioned at the bottom indicates an explicit negotiation of value and remuneration. The letter remains resonant because it highlights both the personal and the economic dimensions of artistic practice.