Schön newes Modelbuch (Page 82r) 1608

Editor: This is page 82r from "Schön newes Modelbuch," created in 1608 by Sigismundus Latomus. It's a print on paper using woodcut. I find the intricate patterns so compelling, but also kind of impenetrable. What do you see in this piece that I might be missing? Curator: Note the geometric forms. Three distinct horizontal bands are unified by a shared underlying grid. This grid provides structure but does not fully dictate the overall design. Editor: I see the bands, but are there are deeper relationships than just the grid that ties everything together? Curator: Consider the contrast between the organic and inorganic. The uppermost register seems to depict stylized floral and possibly avian motifs. Conversely, the lower two registers exhibit exclusively non-representational, abstract configurations. The print maker exploits an intense contrast of dark and light, complicating depth perception. The stark white paper interacts with the dark ink of the print to yield a visually compelling surface. How does this tension inform the viewer's experience? Editor: That's a good point, it's almost like an optical illusion. Do you think the relationship between figure and ground contributes to the surface-level quality? Curator: Indeed. Further observation suggests an intent to suppress conventional depth cues, thereby emphasizing the two-dimensionality of the printed surface. It reinforces its essential character as an object, or, in this case, a page within a book. It almost becomes like a woven tapestry through form. Editor: So, focusing on the visual elements gives a way to understanding the techniques of printmaking. I definitely notice that optical effect now, thanks. Curator: Precisely, that's why focusing on these techniques rewards close observation. I have also gleaned further insight by focusing intently on its structure.