print, photography
portrait
photography
historical fashion
realism
Dimensions: height 100 mm, width 64 mm, height 88 mm, width 58 mm
Copyright: Rijks Museum: Open Domain
Curator: This striking photograph is titled "Portret van een onbekende Groningse student in maskeradekostuum," dating from somewhere between 1896 and 1900. It’s attributed to Jan Frederik Blöte. Editor: What a dandy! The pose is so deliberate, so staged. It feels a bit... I don’t know, almost sweetly absurd? Like a teenager raiding their parents' attic and putting on a show. Curator: Indeed! These were popular images at the time. Studio photography offered a certain amount of performativity; it provided a space for individuals to present an idealized or theatrical version of themselves. And historical fancy dress was very fashionable. Editor: There’s something charming about the fact that it's sepia-toned, making this masquerade seem like an echo from a truly distant past, not just a century or so. Also the almost theatrical nature of portraiture— I mean, the backdrop with what seems to be a stage curtain behind him, and his confident sword-and-everything posture...It's great! I can picture him hamming it up. Curator: Note also the deliberate use of props like the antique chair and table. These were likely part of the photographer’s studio setup, lending a sense of historical gravitas, however artificial. This particular style of costume—ruffed collar, wide-brimmed hat, bloused sleeves, and high riding boots—is emulating the fashions popular in the Dutch Golden Age. Editor: He almost seems like he’s channeling Rembrandt or some other golden-age artist that lived during that period. It's this funny little dance between eras that is quite strange when you give it a second thought.. It does have this timelessness. I imagine that if that was taken a hundred years prior, we'd still find this equally strange. Curator: And it points to how historical images, and even our present-day images, participate in shaping our sense of historical style and social identity. Editor: I love it! It's a window into the human impulse to dress up, perform, and maybe, just maybe, believe for a moment that you are the swashbuckling hero in your own story.
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