Dimensions: support: 1339 x 1763 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we have Johan Zoffany's painting, "The Bradshaw Family," currently housed at Tate Britain. What strikes you about it? Editor: The sheer amount of fabric! Look at those silks and lace—a veritable textile inventory. You can almost feel the weight and expense of their garments. Curator: Indeed! The clothing speaks volumes about status. Note how the kite soaring overhead acts as a symbol of ambition and the family's aspirations. Editor: But it’s also about production. Think of the labor—the spinning, weaving, dyeing—behind each thread, each embellishment. Curator: And the family's placement beneath the shade of the tree provides a contrast between nature and cultivated wealth. Editor: A tension visualized perfectly in paint. I find myself wondering about Zoffany’s choices—the brushes, the pigments… Curator: It’s a rich tapestry of symbols and materiality, isn’t it? Editor: Absolutely, offering a glimpse into the making of both the artwork and the family's image.
Comments
http://www.tate.org.uk/art/artworks/zoffany-the-bradshaw-family-n06261
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
Small-scale group portraits like this, known as ‘conversation pieces’, projected an idealised vision of family life. This picture employs a pyramidal arrangement of the figures to express the structure of the family. Thomas Bradshaw (1733–74), a senior civil servant and politician, is shown at the apex of the pyramid. His family is arranged below him. The two women are Bradshaw’s wife, Elizabeth on the right, and, on the left, probably his sister. The two oldest sons are shown at the far left and right of the group. Their position in the composition serves to associate them both with the sheltered space of the family unit, and the outside world. Gallery label, February 2016