Keys to Prints of the Coronation of George IV, and Investigation in the House of Lords in 1820 1818 - 1828

James Stephanoff made this print, ‘Keys to Prints of the Coronation of George IV, and Investigation in the House of Lords in 1820,’ in England, at a time of great social and political upheaval. This print is more than just a record of a royal event; it’s a commentary on the social structures of early 19th-century Britain. Notice how the artist meticulously details the seating arrangements at the coronation and the House of Lords, highlighting the strict hierarchies and social divisions of the time. The inclusion of a key identifying the various figures present underscores the importance of social status and recognition. Consider the historical context. George IV’s reign was marked by extravagance and scandal, while the country faced economic hardship and calls for reform. This print, with its focus on ceremony and power, can be seen as both a celebration of and a critique of the established order. To fully understand this work, we can consult primary sources, such as newspapers, diaries, and political pamphlets from the period. Art history thrives on understanding the social and institutional contexts that shape artistic production.