1st Exhibition of the Humorists by Jean-Louis Forain

1st Exhibition of the Humorists 1911

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drawing, lithograph, print, paper, poster

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drawing

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art-nouveau

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lithograph

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print

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figuration

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paper

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line

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cityscape

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academic-art

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poster

Dimensions: 1185 × 877 mm (sheet)

Copyright: Public Domain

Curator: This is Jean-Louis Forain's poster, "1st Exhibition of the Humorists," created in 1911. It’s a lithograph printed on paper. What catches your eye about it? Editor: Well, it has a wonderfully fleeting quality. The figure feels incredibly spontaneous, as though captured mid-kick, forever disrupting the formal poster beneath. It's a bit like a joyful act of rebellion against advertising. Curator: I think that spontaneity reflects the humorist spirit Forain sought to capture. The Art Nouveau style here, blended with academic traditions, underscores that feeling through those delicate lines. You can see how the pose really captures the exuberance the artist was trying to express. Editor: The color feels crucial too, that warm ground highlighting how it's a poster meant for the streets, not just a gallery. We have the cheap materials, like paper, lithography. It makes the art available and accessible to ordinary people. It reminds us that laughter is made from the ground up, produced for the masses, you might say. Curator: Exactly. This wasn’t just fine art; it was an announcement, meant to draw people in. Forain expertly balances the fine line of humor with marketing. It's hard to say where art stops and salesmanship begins, as in this poster. I wonder how many stopped on the streets for the show due to it. Editor: Which prompts one to think—who created these drawings for printing? There's a history of labor, the work done by anonymous hands to reproduce this image at scale. It adds a bittersweet taste for the working class who can see the spectacle but not take part of it, necessarily. Curator: Yes, a vital point, so that is something to pause over, but above all Forain succeeded, capturing a specific moment in time. The piece still speaks volumes about the society it was created for, and how it might feel seeing it stuck to a wall in the City of Lights. Editor: Absolutely. For me, seeing Forain's creation as a material object really opens it up to layers of historical reality beyond that initial sense of lightness and whimsy. It also leads me to remember to never trust advertising!

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