Umbrella Stand by Milton Grubstein

Umbrella Stand c. 1939

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drawing, pencil

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portrait

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pencil drawn

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drawing

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pencil sketch

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figuration

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geometric

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pencil

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sketchbook drawing

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pencil work

Dimensions: overall: 50.7 x 35.1 cm (19 15/16 x 13 13/16 in.) Original IAD Object: 25 3/8" high; 25 3/8" wide; 14 1/8" wide

Copyright: National Gallery of Art: CC0 1.0

Curator: What a peculiar object. The initial impression is quite unsettling. Editor: Indeed! Let me introduce what we're seeing. This is a pencil drawing entitled "Umbrella Stand", dating to approximately 1939, by Milton Grubstein. Notice the sharp angles and the stark contrasts, even with a utilitarian object such as an umbrella stand. Curator: Utilitarian? This form, though appearing as an umbrella stand, is far from it. The medium of pencil elevates this above its original purpose. Its visual weight and dramatic presentation remove any sense of day-to-day practicality. I am instead focusing on its sharp angles. It makes for an assertive stance of industrial might mixed with almost aristocratic delicacy. Editor: Well, I am looking at that snarling dog and the horses' heads. I do see this as possibly an image loaded with social commentary. It comes on the cusp of the war, the depiction seems a statement on the opulent consumerism of the time. Think of how the lower and upper classes stood. Also, dogs have symbolic meanings; could that dog be representative of some element within society at the time? Curator: Certainly, symbolism can enrich interpretation, however I consider this analysis as secondary. Note the deliberate tonal graduations—it models shape, describes mass. Look at the subtle tension. Editor: All these points are correct; the sharp monochromatic lines are striking in their simplicity, and are certainly used to focus on elements, but also this gives a stark mood; yet, to analyse only in terms of structure is limiting. Art rarely exists within a vacuum, it expresses social-economic narratives whether implicit or explicit, which are all interlinked and intertwined. Curator: Perhaps the beauty lies precisely in this dialogue between form and context, no? We bring varied analytical frameworks and both extract meaning, even if discordant, which in itself expands an art object beyond pure utility. Editor: It invites viewers to examine this drawing not just as a visual experience, but also as an indicator for socio-political themes within a pivotal historical frame. And on that point, I think we should let our listeners dwell.

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