Snuffbox with portrait of Catherine II (1729–1796), Empress of Russia 1774 - 1775
Dimensions: Overall: 1 3/8 × 3 × 2 3/16 in. (3.5 × 7.6 × 5.6 cm); Miniature: 1 1/8 × 15/16 in. (2.9 × 2.4 cm)
Copyright: Public Domain
Curator: Good morning. We're looking at a dazzling object, a snuffbox crafted between 1774 and 1775. It features a portrait of Catherine II, Empress of Russia. Joseph Etienne Blerzy is credited with this luxurious decorative piece. Editor: My eye is immediately drawn to the craftsmanship. The precision, the detail… It's not just functional; it's making a statement about skill and opulence. How was something like this even made? Curator: The materials are key. The box itself is likely crafted from precious metals and porcelain. It is then adorned with jewels, each chosen for their individual qualities. Catherine II ruled during a period of intense cultural exchange between Russia and the West, and objects like these underscored power and sophistication. Editor: So, more than just a box for tobacco, it's a display of wealth. I'm thinking about the labor, the workshops buzzing with activity… All those hands, the specialist jewelers, porcelain painters, and the sheer amount of time dedicated to a single object of personal use! Curator: Precisely. Its creation occurred within a historical context where luxury items showcased the social and economic hierarchies of the time. To possess such a meticulously crafted object reinforced status and control. Snuff taking itself was a ritual of the elite. Editor: Yes, snuff was literally powdered power! I’m wondering, does the miniature portrait follow conventions of the time? How is she represented here, and what message did that portrait convey to those who saw it? Curator: Indeed. She's depicted with the soft, flattering light of the Rococo style, conveying elegance and power, but in a miniature intimate setting that allows the beholder of this small object a form of access, albeit controlled. It echoes trends found in contemporary portraiture of European royalty. These images were designed to cultivate a certain image of benevolent leadership. Editor: Which were obviously produced and widely circulated to shape perception. Looking at this from a production standpoint, considering where the materials came from and who made this... it adds a darker dimension, one that’s masked by the gleaming diamonds. Curator: It brings the socio-political circumstances into focus, a society built around centralized control and unequal distribution. Editor: Seeing all that labor crystallized into something so small and glittering... It’s quite sobering. Thanks for sharing your historical insight on this intriguing box. Curator: My pleasure, examining it from a socio-political perspective truly illuminates its complexities.
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