Achterpand van een overjapon van naaldkant met pioenrozen by Maison Sacré

Achterpand van een overjapon van naaldkant met pioenrozen c. 1870 - 1890

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fibre-art, weaving, textile

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natural stone pattern

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fibre-art

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pattern

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weaving

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textile

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pattern making

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hand-embroidered

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pattern design

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fabric design

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repetition of pattern

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pattern repetition

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textile design

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decorative-art

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imprinted textile

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layered pattern

Dimensions: length 123 cm, width 49 cm

Copyright: Rijks Museum: Open Domain

Curator: This is a needle lace overdress panel dating from around 1870 to 1890, thought to be made by Maison Sacré. What does it evoke in you? Editor: A dreamy afternoon in a forgotten garden! All these swirling tendrils and delicate blooms, it's like a veil between worlds. So intricate, almost overwhelmingly so. Curator: Lace, especially needle lace like this, was deeply symbolic. Its creation involved countless hours of meticulous work, representing not just status but also female virtue and accomplishment. Peonies, specifically, carried a lot of weight in that era. Editor: Peonies… wealth, honor, beauty, fleeting moments of summer's glory all at once, right? But this isn't just a botanical study; the way they repeat suggests something beyond simple representation. A world densely inhabited with meaning, all coded in these delicate stitches. Curator: Precisely! Pattern, especially repeating patterns like we see here, serve as cultural anchors, reflecting societal values, religious beliefs, and even personal identity. The wearer was literally draped in meaning. Editor: And the Maison Sacré connection—did they specialize in this sort of elaborate design? I can almost feel the ghost of the maker’s hand, bent over for hours, adding layer upon layer. I feel I have lost that appreciation of time invested into something like this with todays trends. Curator: They were renowned for the skill and luxury they embodied; pieces like this served as tangible assets for a family. It also represented refined tastes and the transmission of family values. Editor: Looking at it now, you almost can see beyond fashion. It's a cultural fingerprint, frozen in fragile thread. Curator: A beautiful way to phrase that. Editor: Well, thank you. All those peonies really worked their magic. So much conveyed through threads. Curator: Indeed, more than meets the eye, and food for reflection even today.

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