Pitcher 1884 - 1886

Editor: So, here we have the "Pitcher" by Reading Artistic Glass Works, created between 1884 and 1886. It's currently held at the Met. I'm immediately struck by its delicate nature; the way the light seems to just pass right through it. What can you tell me about this work? Curator: It's fascinating to consider this pitcher within the context of the late 19th century and the rise of American decorative arts. Remember that museums, especially in America, were still relatively new institutions, figuring out what role they would play. How do you think an object like this contributes to the shaping of a national artistic identity? Editor: That's interesting. It feels so functional; would people consider something like a pitcher "art" in that era? Curator: Exactly! The lines were blurrier than we often think. There was a real push, especially within art education and reform movements, to elevate craftsmanship and design. Everyday objects became sites where artistic expression could be showcased and celebrated. Is that reflected in the quality and style that you see when considering craftsmanship and form? Editor: Yes, especially given that handle, there's such delicacy in how it curls out, or in the swelling of its belly... So is the museum displaying something ordinary, and is trying to make it extraordinary? Curator: In a way, yes, it’s assigning artistic value, or maybe, making us reflect on values that were already there. Museums and world fairs helped propel this thinking, suggesting that items for ordinary use were an index of progress, refinement and national culture. It really makes you question how we, even now, construct notions of what is "art" and who gets to decide, doesn't it? Editor: Absolutely. I didn't consider the political implications of even something like a glass pitcher before! Thanks. Curator: It's these often-overlooked objects that give us the richest insights.