Fantasie: diverse figuren, de meest rechter met mouwen als kokers 1921

Samuel Jessurun de Mesquita created this graphite drawing, Fantasie: diverse figuren, in the Netherlands, but the exact date remains unknown. The drawing presents an array of figures, the figure furthest to the right stands out with sleeves that resemble pipes. Mesquita, a Jewish artist active in the early 20th century, often explored themes of identity and alienation. Looking closely, we can consider the figures not just as portraits, but as symbols within a larger cultural narrative. The grotesque features and distorted forms may critique the social conventions and norms of the time. What was the artist trying to say about Dutch society through these figures? How did his own experiences and cultural background influence his artistic vision? To delve deeper into Mesquita’s world, we can examine historical archives, personal letters, and critical essays that shed light on the social context in which he operated. By connecting art to its historical roots, we gain a richer understanding of its meaning.