Studies 1906 - 1945

Reijer Stolk created these Studies using graphite on paper. The choice of these materials, so readily available and affordable, speaks to the democratization of art-making and the accessibility of artistic expression during Stolk’s time. The immediate and direct nature of sketching is evident in the energetic lines and spontaneous marks that capture the forms and textures of the subjects. Graphite, with its soft and malleable quality, allows for a wide range of tonal variations and expressive gestures. The texture of the paper plays a role, too, providing a subtle grain that interacts with the graphite, adding depth and dimension to the drawings. The apparent lack of refinement in the sketches suggests a rejection of traditional academic standards, and an embrace of more experimental and individualistic modes of expression. This reminds us that art-making isn’t always about the finished product, but rather about the process of exploration, experimentation, and discovery. By valuing the raw and unpolished qualities of these studies, we challenge conventional notions of artistic skill and aesthetic value.