An Interior at Hatton, Warwickshire by Granddaughters of Dr. Samuel Parr

An Interior at Hatton, Warwickshire 1820 - 1830

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drawing, print

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portrait

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drawing

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print

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romanticism

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genre-painting

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watercolor

Dimensions: sheet: 5 7/8 x 8 1/16 in. (14.9 x 20.5 cm)

Copyright: Public Domain

Curator: What strikes me most immediately is the light and airy quality, almost as if this were a stage set. Editor: Yes, it's a lovely watercolour drawing from around 1820 to 1830, titled "An Interior at Hatton, Warwickshire." It is presently held at the Metropolitan Museum of Art in New York, and is traditionally attributed as a portrait of the Granddaughters of Dr. Samuel Parr. The print shows a gathering of individuals in what seems like an ordinary parlor of the period. I would even suggest we are witnessing the social performance of gentility and domesticity. Curator: Indeed. Notice how the figures are arranged, almost in vignettes. There is a clear attention to detail in their attire, showcasing fine fabrics, delicate lacework. You can almost feel the weight of that blue fabric in the doorway, it serves as a curtain framing the young woman inside the room. I am curious about what labor, processes, and distribution allowed these people to assemble these cloths and materials. Editor: Looking at the artwork through an intersectional lens reveals something deeper, for me. Note the implied hierarchy suggested by positioning of men and women within the scene. The labor they embody, be it leisurely pastimes or education is heavily gendered, reflecting the societal expectations. Also, the composition suggests the confines within which women existed during the Romantic Era and how they entertained themselves in gender-based spaces and relationships. Curator: An interesting counterpoint! Though I do also wonder about the role the space itself plays. It is full of furnishings and ornaments and I feel that all of these artifacts are crucial as social display but are also testaments of material processes. Editor: Agreed. Ultimately, this artwork encapsulates a snapshot of gendered expectations, as much as the opulence of the landed gentry. This artwork encourages dialogue about women’s place during the Romantic era, and how wealth perpetuates particular standards. Curator: Indeed, each choice made by the creator from the precise brushstroke to the deliberate positioning contributes to a complete composition. Thank you, this has definitely enhanced my perspective. Editor: And you, for underlining the material world that props the wealthy's lifestyle. It’s been a truly engaging discussion.

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