Bandbox by Walter Doran

Bandbox c. 1939

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drawing, watercolor

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portrait

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drawing

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water colours

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oil painting

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watercolor

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genre-painting

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watercolor

Dimensions: overall: 39 x 45.7 cm (15 3/8 x 18 in.) Original IAD Object: 10 1/2" high; 15 1/2" long; 11" wide

Copyright: National Gallery of Art: CC0 1.0

Editor: This is Walter Doran’s “Bandbox,” from around 1939, made with watercolor. It’s a peculiar object, a decorative hat box perhaps. The scene wrapped around it is just so charming and unexpected, with General Taylor on horseback amidst what seems like a naval scene. What do you make of it? Curator: The bandbox itself speaks to cultural memory, doesn't it? These weren't merely containers, but surfaces that carried potent visual signifiers. The image of General Taylor evokes a specific era of American history and political identity. How does that image of Taylor connect with, or perhaps, clash with your understanding of American history? Editor: I hadn’t thought about it as clashing. It gives off almost a celebratory, patriotic feel. The box is ornamented with this triumphant man at its forefront. But tell me more about bandboxes themselves, I am not so familiar. Curator: Bandboxes became particularly popular in the 19th century. What images were often displayed, and why were they selected? Consider the intended audience of these boxes - primarily women - and what cultural narratives would resonate with them. They become intimate objects. How does the intimacy of the object influence your perception of the bold imagery? Editor: That is an interesting detail; the patriotic message perhaps takes a different tone when considering the intimacy of bandboxes and the everyday life of women. Curator: Exactly. Doran’s bandbox uses imagery that may reflect collective fantasies of power, then applied to an everyday, domestic setting. It is like a little theatre of political messaging in one’s home. Are there details that might shift this simple idea of power, when closely observed? Editor: I see it now - there is something inherently 'folksy' about the scene, a contrast to its militaristic motif. I see a field of wildflowers painted on its bottom, like folk art! Curator: Indeed! The wildflowers and almost cartoonish rendering are as equally important as the depiction of Taylor, layering additional meanings for the everyday users of such items. Thank you for that close read, together it has broadened my view of this artifact, it’s lovely to exchange thoughts! Editor: Definitely! Thanks so much. It's fascinating to consider the multitude of stories these objects can tell.

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