Arcadisch tafereel met een vrouwelijke jager en een jachthond by Abraham van Strij

Arcadisch tafereel met een vrouwelijke jager en een jachthond 1763 - 1826

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drawing, pencil

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drawing

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imaginative character sketch

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neoclacissism

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toned paper

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light pencil work

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landscape

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cartoon sketch

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figuration

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personal sketchbook

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ink drawing experimentation

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pencil

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line

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sketchbook drawing

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watercolour illustration

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history-painting

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storyboard and sketchbook work

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sketchbook art

Dimensions: height 60 cm, width 80 cm, height 550 mm, width 465 mm, height 495 mm, width 440 mm

Copyright: Rijks Museum: Open Domain

Curator: So, here we have Abraham van Strij's "Arcadian Scene with a Female Hunter and a Hunting Dog," a drawing likely from between 1763 and 1826. It’s rendered in pencil, with a beautiful sense of line, on toned paper. Editor: Immediately, there's a breathless quality about it. It feels like we've caught a glimpse into a chase mid-stride, everything fluid and fleeting. Curator: Indeed. Van Strij captures that sense of dynamic movement wonderfully. Notice the lines—loose, almost experimental, especially around the dog and the fluttering drapery. This hints at his process, maybe a study for a larger work? Editor: The subject matter feels very neoclassical, evoking an idealized, almost mythical past, yet rendered with a playful lightness, which is kind of intriguing. The contrast is captivating. What do you make of the formal qualities of the figure itself? Curator: Absolutely. He borrows from that classical vocabulary - look at the woman’s draped garment, the stylized musculature – but imbues it with his own sensibility. Her posture exudes a determined and confident expression as she pulls back on her bow. However, it feels more like an exploration of form and line rather than a rigid adherence to neoclassical ideals. It is not stiff, rather it feels full of playful dynamism! Editor: Yes, it dances on the edge. One could even suggest that it could be viewed as an embodiment of the era's grappling with tradition versus nascent Romantic ideals of expressiveness. But, back to your original observation about dynamism, note the echoing curve created by the drawn-back bow that's mimicked by the greyhound’s leap, really amplifying the motion. Curator: I’m really interested in its intimacy. It's so immediate that one gets the sense of entering into the studio, perhaps sneaking a peek into the artist's personal sketchbook. It could almost be a storyboard piece with all the frenetic lines of motion! Editor: Ultimately, for me, this artwork succeeds as this fleeting vision into Arcadia – alluding to a historical vision while also displaying raw artistry and motion. It strikes an interesting dialogue of styles. Curator: I concur. A gem that leaves you wondering about the unseen stories beyond the immediate action, wouldn't you say?

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