History Painting 2 Cave. Yellow Earth by  Maria Lalic

History Painting 2 Cave. Yellow Earth 1995

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Dimensions: support: 600 x 600 mm

Copyright: © Maria Lalic | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Here we have Maria Lalic's "History Painting 2 Cave. Yellow Earth." It's a square canvas, 60 by 60 centimeters. Editor: It reminds me of raw umber pigment, like staring into a concentrated earthiness before it gets transformed. Curator: Lalic is known for subtle colour gradations and very tactile surfaces. There's a real tension here, don't you think, between the readymade canvas and the artist's deliberate hand? Editor: Absolutely. It’s as if she's trying to locate the very origins of painting, before even image-making itself. The "history" is not a narrative but a geological process. Curator: It's a political gesture, stripping painting back to its barest elements in a world oversaturated with imagery. Editor: I think it's more poetic, that deep ochre pulls you in... it's like a primordial memory. Curator: Perhaps both! Editor: Indeed. A minimalist masterpiece.

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tatemodern's Profile Picture
tatemodern 1 day ago

http://www.tate.org.uk/art/artworks/lalic-history-painting-2-cave-yellow-earth-t07287

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tatemodern's Profile Picture
tatemodern 1 day ago

CAN COLOUR RELATE TO A PARTICULAR PERIOD IN TIME? Maria Lalic’s paintings explore the history of colour pigments that were used to make paint. Each painting is made from semi-transparent layers of pigment that were discovered in the in the time referred to in the painting’s title. The artist was inspired by an old colour chart from paint manufacturerWinsor and Newton. It grouped pigments into six historical periods: Cave, Egyptian, Greek, Italian, 18th and 19th century, and 20th century. There is one painting for each period displayed here. Looking closely at the edges you can see the different paints she has layered to create the final colour of the painting. ‘I think I’m simply excited by recognising a time and place through colour.’ Start Gallery caption, 2016 Gallery label, July 2017