Les Arbres 1954

Jean Le Moal's 'Les Arbres' presents a fascinating exploration of abstraction and representation. Born in France, Le Moal navigated the complex art world of the 20th century, shaped by wars and changing social norms. His work prompts us to consider how artists respond to these historical forces. 'Les Arbres' is a dance of color and form, with the title suggesting a landscape, yet the scene is fragmented into vibrant, geometric shapes of orange, yellow and blue. This abstraction reflects a broader movement in post-war European art, questioning traditional modes of representation. It challenges the viewer to piece together their own interpretation, highlighting the active role we play in constructing meaning. To understand 'Les Arbres' fully, we can look to period publications, exhibition reviews, and the artist's own writings. By situating the work within its specific social and institutional context, we gain a deeper appreciation of its power and complexity.