Dimensions: support: 375 x 298 mm frame: 593 x 508 x 82 mm
Copyright: © Desmond Banks | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Sir William Nicholson’s "Portrait of a Man of Letters: W.E. Henley." There's a certain gravitas to it, and the man's hat and beard make me think of a classic intellectual. What do you see in this piece? Curator: The hat itself becomes a symbol. Hats, historically, signify status and authority, don't they? But here, it's almost comically oversized, perhaps suggesting Henley's outsized personality, or even a touch of self-aware irony. Does it suggest anything to you? Editor: I hadn't thought of it that way, but that makes sense. It's as if Nicholson is playing with the visual language of power. Curator: Exactly! And consider the pipe, a classic symbol of contemplation and scholarly pursuits. Nicholson uses these familiar objects to weave a complex portrait, revealing both the man and the myth. Editor: I'll never look at a hat the same way again. Thanks for the insight. Curator: My pleasure, these symbolic gestures enrich art!
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http://www.tate.org.uk/art/artworks/nicholson-portrait-of-a-man-of-letters-we-henley-n04087
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W.E.Henley (1849-1903) was a poet and writer on modern art. He edited the magazine 'New Review', for which he commissioned in 1897 Nicholson's well known woodcut of Queen Victoria. This portrait of Henley, painted in the last years of his life, was probably paid for by a group of his friends. He was the model for the pirate Long John Silver in Robert Louis Stevenson's 'Treasure Island'. He walked with a stick, shown here on a table in front of him.In another picture Nicholson sought to capture Henley's personality by painting his lopsided hat, on its own. Gallery label, September 2004