drawing, coloured-pencil, paper
drawing
coloured-pencil
narrative-art
paper
personal sketchbook
indigenous-americas
Dimensions: 8 5/8 x 11 1/4 in. (21.91 x 28.58 cm)
Copyright: Public Domain
Bear’s Heart, a Cheyenne artist, created this book of drawings, using ink and graphite, during a period of immense cultural upheaval. This drawing presents a unique visual vocabulary that speaks to the complex intersection of cultures. On the one hand, we see traditional indigenous elements: the tipi, and the gathering of people in what appears to be ceremonial dress. On the other, the figures in the foreground wear military-style uniforms, and a horse-drawn carriage sits to the right, visual codes of white culture. These suggest encounter, negotiation, and perhaps even assimilation. Produced during a period of conflict and forced relocation for many Native American tribes, the image’s meaning is contingent on understanding the social and political context of its creation. Further research into the history of the Cheyenne tribe, the artist's biography, and the visual vocabulary of ledger art would enrich one's understanding. Art like this serves as a vital record, reflecting on the social structures of its time.
Comments
This ledger book is a poignant reflection of the sweeping changes that Cheyenne men felt when they were forced from their homeland on the Great Plains and imprisoned at Fort Marion in St. Augustine, Florida. There, they were given military uniforms, lived in barracks, and conformed to military disciplines. Through these efforts, the U.S. government hoped to compel them to assimilate. In these pages, we witness the transformation from individual to collective, from warrior to soldier. Visits from U.S. dignitaries such as Father Whipple from Minnesota, depicted here with General Pratt, punctuated the daily routines of military drills and roll calls.
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