Portret van een onbekend meisje, leunend tegen een stoel met een paraplu in de hand 1880 - 1900
photography
portrait
photography
coloured pencil
19th century
realism
Dimensions: height 104 mm, width 64 mm
Copyright: Rijks Museum: Open Domain
Editor: This is a captivating albumen print from the late 19th century, created by B.J. Pottjewijd, titled "Portret van een onbekend meisje, leunend tegen een stoel met een paraplu in de hand" - Portrait of an unknown girl, leaning against a chair holding an umbrella. There's something so poignant about this image of an unknown girl... what stands out to you when you look at it? Curator: The material conditions of the image's production are crucial. It's not simply a representation, but the result of specific labor processes – the photographer's, certainly, but also potentially those involved in preparing the photographic materials themselves. Consider the albumen print process, reliant on egg whites: it ties the image to a very specific network of material resources and economic relations. What kind of social stratification allowed the family of this girl access to this medium of self representation and remembrance? Editor: That’s fascinating, thinking about the egg whites as a key ingredient and indicator of resources available to this girl’s family. So, the materials used speak volumes. I'm also curious, in connecting labor and art, does that devalue the photographer's artistic vision? Curator: Not at all! Understanding the materiality actually enhances our appreciation. The photographer's choices – the lighting, the composition, even the choice of the umbrella and the chair – were all constrained and enabled by the available materials and technology. What meaning does the symbol of the umbrella possess in this image, in that social context? Editor: True. And how different this experience is, materially and socially, from snapping a quick phone photo today. The materiality really underlines that this was a special, deliberate, constructed moment. I had not really considered it like this before, thank you for sharing your thoughts. Curator: And thank you for pointing me towards the artistry imbued into a specific time and place, it goes beyond simple record-keeping.
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