Fontaine, place de la Concorde, Paris by Ilse Bing

Fontaine, place de la Concorde, Paris 1934

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photography, gelatin-silver-print

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pencil sketch

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sculpture

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charcoal drawing

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street-photography

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photography

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gelatin-silver-print

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cityscape

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charcoal

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modernism

Dimensions: overall: 17.1 x 28.1 cm (6 3/4 x 11 1/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Ilse Bing captured "Fontaine, place de la Concorde, Paris" in 1934 with a gelatin-silver print. Editor: My initial reaction is that it has an almost dreamlike, ethereal quality, softened by its tonal range. The fountain is rendered with great attention to the flow of water, creating a dynamic contrast with the static, geometrical architecture surrounding it. Curator: Bing’s photography, emerging from the interwar period in Paris, provides invaluable perspectives into the urban experience and social change. Considering her status as a Jewish woman operating within a male-dominated sphere and in the context of rising fascism, the choice to document public spaces, particularly through the lens of modernist aesthetics, presents complex narratives. Editor: I see what you mean. But purely from a formal perspective, I am immediately struck by how Bing has played with light and shadow. The stark contrast between the dark sky and the illuminated fountain creates a sense of depth and volume. The strategic placement of the surrounding lamps and lights leads my eye directly towards the dynamic central form, guiding my gaze to navigate this arresting cityscape. Curator: The location itself, Place de la Concorde, carries a weight of history, deeply associated with pivotal, and often violent, moments of the French Revolution. This space became associated with public executions but subsequently evolved into a celebrated public area representing national unity and progress. The fountain, therefore, isn't merely a decorative element, it represents the multilayered nature of the French identity, shaped by revolution, reconciliation and reinvention. Editor: I appreciate your contextual framing. Looking closer at her compositional choices—the cropping and perspective—enhances the drama inherent within the space. The image is not simply a document of Place de la Concorde; it represents a carefully structured artistic statement, playing with depth, tone and shape. Curator: Considering Bing’s career trajectory—her innovative adoption of the Leica camera, her navigation through the male-dominated profession—this image underscores her modernity and her agency. She reframes urban existence, offering an inclusive vision during a divisive moment. Editor: Absolutely, I'm drawn in further to the elegance within Bing’s approach. Curator: I feel like now I see the fountain and its spatial politics much better. Editor: And I've gained a more acute insight of the historical influences shaping it.

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