Jael Killing Sisera by Rembrandt van Rijn

Jael Killing Sisera c. 1658 - 1659

0:00
0:00

drawing, ink

# 

drawing

# 

narrative-art

# 

baroque

# 

pen sketch

# 

figuration

# 

ink

# 

history-painting

Dimensions: height 192 mm, width 174 mm

Copyright: Rijks Museum: Open Domain

Rembrandt van Rijn rendered this stark image of Jael Killing Sisera with pen and brown ink. We witness the heroine Jael enacting a brutal act of violence, hammering a tent peg into the temple of the sleeping Sisera, a defeated commander. The motif of the weapon wielded by a woman is rich in symbolism, and its impact on the viewer's psyche is considerable. Consider Judith with the head of Holofernes, or even Salome with John the Baptist's head, as a visual analogy. This theme transcends epochs, echoing in Artemisia Gentileschi's visceral depictions. The act of a woman using a traditionally masculine tool to assert power is a potent reversal, stirring deep-seated anxieties and challenging conventional gender roles. The recurring image of the weapon serves as a visceral reminder of the cyclical nature of power, violence, and retribution across history.

Show more

Comments

rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

Jael offered the fleeing Captain Sisera shelter in her tent, and then drove a tent pin through his head while he slept. Already before Rembrandt’s time, this biblical story was depicted as a warning against ‘the wiles of women.’ Rembrandt was fascinated by what drives a woman to commit such a deed. He regularly portrayed narratives in which the conflict of seduction and betrayal of women is central.

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.