Untitled (attempts at shoeing a mule) c. 20th century

Curator: Here we have an intriguing image from the Harvard Art Museums, titled "Untitled (attempts at shoeing a mule)" by the American Steel & Wire Co. It's a gelatin silver print, measuring roughly 10 by 13 centimeters. Editor: My first impression is chaotic energy. The mule is caught mid-kick, a swirl of limbs and defiance against a backdrop of onlookers. Curator: The photograph presents a really interesting view into labor practices, and perhaps, the spectacle of animal subjugation, if we consider the assembled audience. Editor: Absolutely. Who are these observers? Are they implicated in the mule's struggle? The image makes me think about the power dynamics inherent in human-animal relationships, especially under capitalism. Curator: It makes one wonder about the role of the American Steel & Wire Co. in documenting this scene; was it a reflection on their products, or just an interesting company field trip? Editor: The photograph's ambiguity is definitely its strength, allowing space to consider the social, economic, and ethical layers beneath its surface. Curator: Indeed; it gives us a glimpse into a moment, inviting us to reflect on the complexities of labor, observation, and control. Editor: A valuable testament that makes me consider the ongoing ethical concerns around how we utilize animals, and who benefits.