La Vera Perfettione del Disegno di varie sorti di recami, page 9 (verso) 1567

This is a page from ‘La Vera Perfettione del Disegno di varie sorti di recami’ by Giovanni Ostaus, dating back to the 16th or 17th century. The overall impression is one of geometric precision, dominated by a grid-like structure filled with ornate patterns. The stark contrast between the black ink and the off-white paper gives it a striking visual clarity. The composition relies on the systematic repetition of motifs within the grid, a design strategy which creates a sense of order. Yet, this is juxtaposed with the intricate details of each individual pattern. The inclusion of a circular emblem containing what appears to be an eagle disrupts the rigid grid and introduces a focal point. The artwork functions as both an aesthetic object and a practical guide for embroidery. As such it challenges our ideas about the division between art and craft. It is an intersection of form and function, where artistic expression is intertwined with the systematic planning necessary for textile production. The grid-like structure could be seen as a semiotic system, with each cell acting as a signifier that contributes to the overall visual language of the design. The book invites us to see beyond its immediate aesthetic appeal and to consider the cultural and historical context in which it was created.