The Gallant Charge of the Kentucky Cavalry Under Col. Marshall by Currier and Ives

The Gallant Charge of the Kentucky Cavalry Under Col. Marshall 1847

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lithograph, print

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narrative-art

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lithograph

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print

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landscape

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oil painting

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romanticism

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genre-painting

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history-painting

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academic-art

Copyright: Public domain

Editor: This is "The Gallant Charge of the Kentucky Cavalry Under Col. Marshall," a lithograph print by Currier and Ives from 1847. It’s...intense, to say the least. All those horses and soldiers! The Romantic style really amps up the drama. What strikes you when you look at it? Curator: Well, darling, for starters, it gallops straight out of the mid-19th century, doesn't it? It’s practically dripping with Romantic ideals. The noble hero, the dramatic landscape… It’s almost a stage play frozen in time. Look how the chaotic swirl of the battle resolves into almost perfect heroic triangles. Tell me, does it feel real to you? Or more like...propaganda? Editor: Hmmm, propaganda maybe? I mean, everyone's so clean and idealized. It feels a bit… staged, I guess. Curator: Precisely! And that, my dear, is the clever bit. Currier and Ives weren't exactly aiming for documentary realism. They were selling a story, a vision of American bravery and expansion. It's like a dime novel come to life. Notice the... casualties almost placed formally in the frame? Morbid choreography. This battle took place in the Mexican-American War...any thoughts about *that* context? Editor: So it's less about showing what really happened and more about creating a heroic narrative? I hadn't really thought about the war context itself... Curator: Exactly! They're shaping public opinion, tapping into a thirst for national identity and Manifest Destiny. Consider the power of visual storytelling, my dear. So what fresh thoughts are swirling for you now? Editor: I guess I’m realizing how much these images shape how we *think* about history, not just what we know about it. It’s made me look beyond the surface. Thanks! Curator: The pleasure's all mine. Art always asks a question of its viewers, does it not? The trick is simply being curious enough to hear what it has to say.

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