Leaf of Consular Diptych c. 5th century

Curator: The "Leaf of Consular Diptych," an ivory panel now residing at the Harvard Art Museums, presents a figure of authority, frozen in time. The artisan remains unknown. Editor: It has a rather solemn, almost intimidating aura. The pale ivory lends an air of antiquity and seriousness to this character. Curator: Indeed. Consular diptychs like this one served as declarations of power. High-ranking officials would commission them to commemorate their assumption of office. Editor: So this image became a political tool? How did that visual language contribute to the consolidation of power at that time? Curator: Absolutely. The subject's dress, gesture, and even the architectural backdrop all reinforce his status within the established social and political order. Editor: Looking at him, I'm also wondering about the power dynamics embedded in the creation itself. Who decided on this particular representation, and whose story gets told? Curator: It prompts important questions about representation and agency. These objects offer glimpses into the mechanisms of power and how it was visually communicated. Editor: Definitely food for thought, and a reminder of the complicated layers of influence and identity at play in even the most seemingly straightforward portraits.