Thomas van Aquino in Bologna 1610

This engraving, "Thomas van Aquino in Bologna," was created by Egbert Van Panderen, around the early 17th century. Van Panderen worked during the Dutch Golden Age. A time when Dutch art often reflected the country’s cultural values, religious beliefs, and its burgeoning sense of national identity. In this scene, Thomas Aquinas, known for his intellectual prowess and theological contributions, is depicted in a moment of personal humility. The visual narrative speaks to broader social expectations around religious figures and the performance of piety. Consider the power dynamics at play, as the Dominican friar's willingness to accept rebuke challenges conventional notions of authority. The image prompts reflections on how identity is negotiated within religious frameworks. The image invites us to contemplate the complexities of representing religious figures, and how visual narratives can both reinforce and subvert societal norms.