Scarlet Pastorale by Aubrey Vincent Beardsley

Scarlet Pastorale 1894

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drawing, print, ink, pen, engraving

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portrait

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drawing

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art-nouveau

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narrative-art

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print

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figuration

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ink line art

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ink

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linocut print

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group-portraits

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pen-ink sketch

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symbolism

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pen

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engraving

Copyright: Public domain

Curator: This pen and ink drawing is entitled "Scarlet Pastorale," and it's by Aubrey Beardsley, created in 1894. Its intricate linework exemplifies the Art Nouveau style. Editor: My immediate impression is of a macabre masquerade ball. The figures are theatrical, the high contrast between light and shadow lends it a sinister air. Curator: Precisely. Beardsley, operating within a Symbolist framework, frequently engaged with themes of artifice and social commentary. We must consider the decadence movement that was criticizing Victorian societal norms at the time. The Harlequin figure especially represents the challenges to authority during this time, offering witty insights but also mocking societal figures. Editor: Absolutely, Harlequin! A mischievous, subversive character type dating back to the Commedia dell'arte. Masked figures often obscure identity. In this image, the disguises seem to allow for freedom of expression, a blurring of social boundaries—potentially challenging the status quo. The flower held by one figure—is that an offering, or perhaps a symbol of fleeting beauty? Curator: It's a gesture fraught with ambiguity, as you point out. We see Beardsley doing this sort of play with gesture and dress over and over. Given his focus on the theatrical and constructed nature of identity, we can ask: Are these figures revealing or concealing their true selves behind these costumes and expressions? And what are the societal pressures impacting identity here? Editor: The contrast here is arresting, almost dizzying. Even the candelabras contribute, becoming a part of the dizzying design. One must consider what hidden memories and meanings would come up for the audience experiencing such work—an emotional space fueled by performance and shadow. It evokes both glamour and unease. Curator: Beardsley’s bold use of line and his penchant for provocative imagery solidified his reputation and impact. We see an interrogation of societal expectations as filtered through an aesthetic lens. It remains strikingly resonant even now. Editor: Indeed. The power of the image, the masks, the costumery and suggestion! A complex interplay.

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