Narcissus, der spejler sig i vandet, siddende på en klippeblok by Lauritz Prior

Narcissus, der spejler sig i vandet, siddende på en klippeblok 1861

0:00
0:00

sculpture, marble

# 

sculpture

# 

greek-and-roman-art

# 

landscape

# 

classical-realism

# 

figuration

# 

sculpture

# 

marble

# 

nude

# 

realism

Dimensions: 144.5 cm (height) x 64.5 cm (width) x 88.5 cm (depth) (Netto)

Curator: Alright, let's talk about Lauritz Prior’s marble sculpture, "Narcissus, der spejler sig i vandet, siddende på en klippeblok," created in 1861. It currently resides here at the SMK, Statens Museum for Kunst. Editor: My goodness, the pose! It’s like he’s not just admiring himself, but surrendering to this vision. There's a sadness about him too, maybe it’s just knowing the story but, yeah…melancholy Narcissus, beautiful and doomed. Curator: Prior really captures the myth's essence. Narcissus was famously arrogant, rejecting Echo and other potential lovers, so Nemesis cursed him. He fell in love with his own reflection, unable to leave it, and eventually died of thirst. Editor: It's so relatable in a darkly comic way! Aren't we all a little too in love with our own image, now more than ever, thanks to those shiny little devices in our pockets? Poor guy, I almost feel sorry for him…almost. Curator: Absolutely. And in its historical context, the work touches upon questions about beauty standards, male vanity and the representation of the nude form during the period. Consider how ancient myths were often invoked to give artistic and social sanction. Editor: Mmm. It is classically done, I have to say! Prior clearly knew his Greco-Roman forms, that musculature, those delicate, if somewhat dishevelled curls. It does feel so earnest, like he deeply understood the source material. I almost wonder, if you showed this to Narcissus himself, would he finally snap out of it or just fall deeper? Curator: (Chuckles) It is an interesting question. The tragic beauty certainly invites introspection beyond its historical value. Perhaps that lasting human fascination with self-obsession makes it endlessly compelling? Editor: Right! It feels almost modern somehow. That longing, the trapped gaze... maybe there’s a little bit of Narcissus in us all? Curator: Perhaps, indeed. A sobering and beautiful thought to end on. Editor: Indeed. Off to the next doomed masterpiece then?

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.