Lint op rol, gestreept, rood met beige, zwart, lila en oranje before 1926

This is ‘Lint op rol, gestreept, rood met beige, zwart, lila en oranje’ (ribbon on a roll, striped, red with beige, black, lilac and orange), made by Gustav Schnitzler. At first glance, the roll of ribbon captivates with its simple geometry and striking color contrast. Encircling the roll, the bands of red, beige, black, lilac, and orange create a rhythmic visual pattern. This immediately draws our attention to the interplay between color and form. Upon closer inspection, the roll presents a complex system of signs. The stripes, while appearing decorative, could signify encoded messages or identifiers relating to the ribbon's purpose. This seemingly mundane object challenges our understanding of functional design. In essence, the ribbon isn't merely a utilitarian item; it operates as a semiotic device with cultural codes woven into its very structure. As we explore its layers, we recognize that even the most ordinary objects can become powerful statements, inviting us to reflect on how meaning is constructed through color, pattern, and form.