Ecce Homo 17th century

Editor: Here we have Carlo Dolci's "Ecce Homo," created in the 17th century using oil paints. The subject matter is clearly religious, and the execution is strikingly detailed. The overall effect is, for me, one of profound suffering and resignation. What stands out to you when you look at this piece? Curator: Considering its materiality and context, notice how Dolci employs costly pigments—look closely at that radiant gold leaf—within a very controlled Baroque style. This reflects not only the economic investment in the painting itself but also speaks to the socio-political function of religious art at the time. What materials might the artist have employed for the darker tones, and what was the source? Editor: I would assume materials such as charcoal were used, which at the time were easily found but took hours to manipulate. What about that gold? Was it meant to only evoke a heavenly setting or was there another reason it was selected for the portrait? Curator: Precisely! Think about where Dolci sourced the gold. The raw materials speak volumes about production and global trade systems operating in the 17th century. Gold was often imported, symbolizing wealth and divine power, solidifying the Church’s dominance through visually stunning and materially rich artwork. This carefully constructed image, from pigment to presentation, reinforced societal hierarchies. Editor: That's fascinating. So, it's less about simple reverence and more about asserting power and controlling the narrative through material display. I had not thought of it that way. Curator: Exactly. Considering materials and means allows a deeper understanding of art as a social and economic artifact, not merely a spiritual expression. Editor: I'm walking away from this experience now viewing materiality in artwork with new insight. Thank you.