Untitled 19th-20th century

Editor: This is an albumen print, etching, and engraving titled "Untitled," created sometime in the 19th or 20th century by Giorgio Sommer. It feels epic, depicting a chaotic battle scene with horse-drawn chariots and soldiers locked in combat, all framed by decorative friezes. What kind of a story do you think it’s trying to tell? Curator: Considering its historical context, this piece speaks volumes about how cultures grapple with narratives of power and conflict. Given that it draws imagery and stylistic elements from ancient battle scenes, wouldn't you agree it's interesting to examine why artists in later periods are drawn to reinterpreting or re-staging such scenes? Editor: Absolutely, but I’m curious, the level of detail and drama seems… heightened. Almost romanticized despite the violence. Was there a particular purpose in evoking such intense emotion? Curator: Precisely! You've pinpointed a key element. Consider that 19th and 20th century art institutions, and the very concept of the 'museum,' were often used to shape national identities and promote certain values. Think of the messages that such grand-scale historical reenactments could convey to a contemporary audience about heroism, sacrifice, or the perceived glory of past empires. Do you notice any details that could tell us about its cultural origins? Editor: The figures at the bottom in between the borders are fascinating! The birds are similar to Ancient Greek Pottery depictions. I guess the goal of the artist here was to remind its intended audience of its place in a grand historical narrative, right? Curator: Yes! This work operates as a visual tool, using recognizable symbols to encourage a sense of shared cultural heritage, though such narratives are of course selective and open to interpretation. Editor: This print really gets me thinking about how art, even historical depictions, can be shaped by the society that views it. Thanks! Curator: And reflecting on this, has opened my eyes again to the way art perpetuates collective memories and social discourses.