Mannen zittend op het dek van het schip Fonix by Anonymous

Mannen zittend op het dek van het schip Fonix 1893 - 1923

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print, photography

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portrait

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print

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landscape

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photography

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realism

Dimensions: height 44 mm, width 106 mm

Copyright: Rijks Museum: Open Domain

Curator: This photogravure print, created between 1893 and 1923, is titled "Mannen zittend op het dek van het schip Fonix" which translates to "Men sitting on the deck of the ship Fonix". Editor: It feels like a captured moment, somewhat still and subdued despite being on what appears to be a bustling ship. The contrast is stark; light reflecting intensely, shadows hugging the forms. Curator: Let's consider what that name, "Fonix," suggests. Ships often carried symbolic names, and here, referencing the mythical phoenix, could signify ideas around journeys and rebirth in the context of migration, trade, or perhaps even colonial ambitions. Editor: From a structuralist perspective, the symmetry—or near symmetry, considering the dual images side-by-side—immediately strikes me. It hints at underlying codes, possibly mirroring the sailors' lived realities on the ship itself. The verticals of masts are countered by horizontals in the seated men. Curator: Right, and examining those sailors themselves is vital. Who are they? Where are they going? The picture provides glimpses into their labor, which would connect with complex narratives of class, labor, and possibly displacement during the time this was created. Editor: The photographer captures a fleeting expression in each person’s face. And even with a language that is limited through monochromatic capture, we still have light playing off form: these are crucial aspects creating mood within its technical presentation. Curator: Precisely. To fully understand it, we must remember this was happening during immense shifts driven forward because societal imbalances. Their journey had effects across every part related field; its reach beyond simple record, even affecting political frameworks back then. Editor: Seeing how visual language operates—the use form to guide visual structure that impacts viewer. Curator: Indeed, this work encourages introspection as the role plays shifts; therefore invites reflective view today even amidst changed worlds because it reveals universal truths that keep resonate. Editor: An intense experience even from formal level as is shows art, isn't given way when understood deeper inside by considering greater frameworks within them like it also seems apparent by.

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