Sheet of Figure Studies, Probably after the Antique (recto); Ornamental Designs (verso) 1501 - 1556

Here is a sheet of studies sketched by Girolamo da Carpi in the 16th century. These sketches present a fascinating glimpse into the Renaissance fascination with antiquity. Note the recurring motif of the grotesque masks and hybrid creatures; these figures, drawn from ancient Roman art, enjoyed a revival during the Renaissance. These ‘new’ forms were thought to ward off evil and protect spaces. But consider how these forms evolved: in ancient times, they were linked to pagan rituals, and, as they were rediscovered in the Renaissance, they were used in Christian contexts. The use of grotesque imagery, and mythological figures in domestic settings is a testament to the cyclical nature of cultural memory. These images serve as powerful reminders that cultural symbols are not static. They continuously evolve, adapting to changing cultural landscapes. Consider how the grotesque and hybrid figures tap into subconscious fears and desires.