Sword Pin c. 1936

Ellen Duncan's 'Sword Pin' presents us with two studies of the same object, rendered with a delicate hand in ink and watercolor on paper. The composition is sparse, almost diagrammatic, which invites a formal analysis of shape and line. Consider the contrast between the rigid lines defining the sword and scabbard, and the delicate curves of the chains. Duncan is playing with our perceptions by depicting these objects in isolation. The flat, neutral background emphasizes the linear form and the color palette, which is restrained and limited to gold and grey. This limited palette draws our attention to the formal elements rather than any symbolic intent. The visual tension between the static, inert sword and the fluid, movable chain can also be interpreted as a play on fixed versus variable states. The reduction of the object to its most essential form allows us to see how Duncan uses drawing to explore the structure and inherent qualities of the sword pin. This artwork serves not just as a representation, but as a study in form and perception.