Portret van een (vermoedelijk) Nederlandse militair, staand naast een helm en een bord met opschrift 'tot weerzien 1898' by Robert Ziegler

Portret van een (vermoedelijk) Nederlandse militair, staand naast een helm en een bord met opschrift 'tot weerzien 1898' before 1898

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photography

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portrait

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charcoal drawing

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photography

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genre-painting

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realism

Dimensions: height 165 mm, width 105 mm

Copyright: Rijks Museum: Open Domain

Editor: This photograph, “Portrait of a presumably Dutch Military man, standing next to a helmet and a sign with the text ‘tot weerzien 1898’," dates to before 1898. The realism in the photograph makes it appear very official, but the coloring and the framing add a soft and somewhat sad mood. How would you interpret this work and what it is saying about that era, socially and politically? Curator: Well, framed photographs like this were often commissioned to solidify social status, to present an image of authority or commitment. What I see is a negotiation between a formal military portrait and the impending end of a tour. The text "tot weerzien", see you later, suggests both a farewell to service, but perhaps also the looming potential for further deployment or conflict. Editor: So the text isn't necessarily as hopeful as it appears at first glance? Curator: Precisely. Consider the date. The late 19th century was a time of increasing colonial tensions, even in Europe. Is this man preparing to leave a peaceful domestic life, or might "tot weerzien" refer to parting ways before heading overseas? What message did the family who probably commissioned it want to convey? Duty, honor, pride – or maybe something more complex, like anxiety? The staging here–helmet and dress uniform are deliberate–they attempt to manage an affect, even manipulate the viewer to some extent. Editor: It's amazing to think about how even a seemingly simple portrait can carry such complex layers of meaning about the subject’s historical context! Curator: Absolutely. Images like this functioned as vital tools in shaping both individual and collective memory. Thinking about *why* they were made, not just *what* they depict, helps unlock fascinating insights into that time. Editor: Thanks for making me look deeper. This helps to understand the historical significance, and the power of visual culture in even a relatively straightforward work like this.

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