Interieur met een handwerkende vrouw 1854 - 1914

This sketch, "Interieur met een handwerkende vrouw" by Albert Neuhuys at the Rijksmuseum, presents a fascinating study in form and structure. The initial impression is one of layered, almost Cubist-like planes, achieved through Neuhuys's delicate yet assertive pencil strokes. Observe how the artist uses line to define space. Hatching and cross-hatching create a sense of depth, yet simultaneously flatten the composition, drawing attention to the materiality of the drawing itself. This interplay between depth and surface is pivotal. The subject, a woman engaged in handwork, is rendered with an economy of line, almost disappearing into the domestic setting. Neuhuys seems less interested in portraying her as an individual and more intent on exploring the formal relationships between figure and ground. The sketch challenges conventional notions of representation. It invites us to consider how an artist can use basic elements like line and shading to disrupt established perspectives. It prompts us to re-evaluate the boundaries between representation and abstraction.