Dimensions: support: 914 x 1816 mm
Copyright: © The estate of Gilbert Spencer | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Gilbert Spencer, born in 1892, created "The Progress of Husbandry," a large oil on canvas painting, which is a panorama of rural life. Editor: It feels almost dreamlike, doesn’t it? The figures seem to float within the landscape, their actions blending together. Curator: Spencer often explored themes of community and labor. Notice the figures interspersed with agricultural machinery. Editor: There's a lot happening, but what really strikes me is how idealized this vision of rural life appears. It presents such a nostalgic, almost pastoral image. Curator: Perhaps that speaks to a yearning for simpler times, away from the industrial revolution, reflecting an imagined past. The image of horses are prominent in this painting. Editor: Yes, though I wonder for whom that ideal existed. How does this imagery relate to actual rural communities, particularly regarding class and labor division? Curator: It’s a reminder of the stories paintings can tell and the questions they prompt about society's memory. Editor: Precisely. It's a beautiful, complex image that certainly leaves us much to consider about its historical and social implications.
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http://www.tate.org.uk/art/artworks/spencer-the-progress-of-husbandry-t03224
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Gilbert Spencer painted this when he was in his seventies. He illustrates the history of farming, or 'husbandry', from an ancient Britain 'scratching the earth' to the introduction of the tractor. At the centre, two horses are lead away from a corn binder for the last time. The painting was commissioned to advertise a tractor for Massey-Fergusson. Gallery label, September 2004