About this artwork
This is a silver medal of Maria II Stuart, created by Jan Smeltzing, who lived through the second half of the 17th century, a period marked by significant political and religious upheaval in Europe. The medal encapsulates the complex dynamics of female power in a patriarchal society. On one side, we see a profile of Mary, her hairstyle alluding to classical sculptures of goddesses and empresses. This would suggest a portrayal of power in alignment with traditional gender roles and expectations. But this piece also alludes to the Protestant Reformation, a pivotal movement that challenged the established authority of the Catholic Church, thereby shaping new religious and political identities. Look at how Smeltzing's medal is not merely a commemorative object; it's an intersectional statement reflecting the religious tensions of its time. It is a potent reminder of how identity, politics, and artistic expression are irrevocably linked.
Artwork details
- Medium
- metal, sculpture
- Dimensions
- diameter 3.7 cm, weight 15.65 gr
- Copyright
- Rijks Museum: Open Domain
Tags
portrait
baroque
metal
sculpture
sculpture
ceramic
Comments
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About this artwork
This is a silver medal of Maria II Stuart, created by Jan Smeltzing, who lived through the second half of the 17th century, a period marked by significant political and religious upheaval in Europe. The medal encapsulates the complex dynamics of female power in a patriarchal society. On one side, we see a profile of Mary, her hairstyle alluding to classical sculptures of goddesses and empresses. This would suggest a portrayal of power in alignment with traditional gender roles and expectations. But this piece also alludes to the Protestant Reformation, a pivotal movement that challenged the established authority of the Catholic Church, thereby shaping new religious and political identities. Look at how Smeltzing's medal is not merely a commemorative object; it's an intersectional statement reflecting the religious tensions of its time. It is a potent reminder of how identity, politics, and artistic expression are irrevocably linked.
Comments
No comments