Portret van Johannes Sigismund van Brandenburg 1614 - 1630

Conrad Grale’s portrait of Johannes Sigismund of Brandenburg is a meticulous line engraving on paper. The linear quality of engraving lends itself particularly well to the formal representation of the subject’s face, lace collar, and armor. Grale’s skillful manipulation of this medium allows for the modulation of light and shadow, capturing the texture of the metallic armor and the softness of the sitter’s features. Engraving requires a steady hand and keen eye, emphasizing the control and precision of the artisan. Engravings like this one were not only artistic statements, but also tools of political and social currency. They were reproduced and disseminated widely, creating a shared visual culture. The work involved in the production of such prints, from the initial design to the final print run, was significant, reflecting the values of a society that prized technical skill and meticulous labor. Thinking about the materials, processes, and social context, we can see the artistic significance of the engraving, challenging traditional distinctions between art and craft.