Scepter (Lumberjack Carving) c. 1938

Editor: This is "Scepter (Lumberjack Carving)" from around 1938 by Walter Hochstrasser, and it looks like a wood sculpture, though I understand there is a drawing of it as well. It strikes me as an interesting blend of folk art and something almost regal, given the title. What do you see in this piece? Curator: From a formalist perspective, what is most compelling is the object's verticality and the interplay of geometric forms against the organic fluidity of the twisting vine. Notice the juxtaposition: the rigid, almost architectural elements at the top give way to this sinuous, almost serpentine form. Editor: Serpentine, yes, I see that! It’s like a snake coiled around a staff. Does the material – the wood itself – contribute to your interpretation? Curator: Absolutely. The warmth and texture of the wood imbue the piece with a tactile quality, softening the potentially harsh geometry. The artist has exploited the inherent properties of the material to create contrast and depth. Look closely at the variations in tone. What do you make of them? Editor: It creates highlights and shadows, making the carving look almost alive. Curator: Precisely. The light and shadow dance across the surface. It breathes life into the form, inviting closer inspection and repeated viewings. Do you think that the botanical and geometrical references create any symbolism within this work? Editor: That's fascinating. I’m left thinking about how different shapes change our perspectives and appreciation for the object, even today. Curator: And how through line, texture, and form the work provides much visual richness to enjoy.