Winter Sunday in Washington Square by Grace A. Paull

Winter Sunday in Washington Square 1947

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print, etching, graphite

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print

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etching

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landscape

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pencil drawing

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graphite

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cityscape

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realism

Dimensions: Image: 349 x 249 mm Sheet: 404 x 305 mm

Copyright: National Gallery of Art: CC0 1.0

Editor: This is Grace Paull’s "Winter Sunday in Washington Square," created in 1947 using etching and graphite. The wintry scene has a charming quality; there are all these tiny figures enjoying the snow. What stands out to you in this piece? Curator: For me, it’s about labor and material. Consider the physical act of etching. Paull meticulously manipulates a metal plate, impressing this scene onto its surface through corrosive action and then forcing ink into the lines. Graphite, ground minerals, becomes the agent for shading and adding tonal richness. Think about how many impressions she might have created and distributed and how the social impact changed with scale. Editor: So you’re thinking about the physical work that went into each print? Curator: Precisely! And how that connects to the scene itself. Look at Washington Square. Public space – democratized access for recreation. Note the details: parents walking children, individuals with their dogs, bodies performing leisure in relation to each other and the architecture. All of it is mediated through Paull's labor. How do material limitations inform stylistic choices? What possibilities are open with this process? Editor: It’s interesting to think about the connection between Paull’s process and the depiction of public space. The printmaking medium making art affordable connects with this image of public recreation. Did prints have similar meanings in other contexts? Curator: It raises questions, doesn’t it? Consider mass production: how do images participate in creating social experiences and identities? Paull encourages us to examine the convergence of labor, leisure, and urban life captured within the physical matrix of the print. Editor: It's certainly given me a new perspective on what this artwork represents, looking at it as a product of material and labor conditions. Curator: Exactly! We've moved beyond just seeing a pleasant scene in Washington Square to analyzing the cultural context in which it was created and consumed.

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