Untitled (ascending figure) c. 19th century

Editor: Here we have William B. Closson's "Untitled (ascending figure)," a woodcut print from the 19th century. I find the figure's upward gaze and raised arms quite captivating; there is a feeling of longing, perhaps even defiance, within a context that I have trouble grasping. What can you tell me about it? Curator: That feeling of defiance you perceive is an interesting entry point. When viewing works from this period, particularly figural representations, it's essential to consider the limitations imposed on the bodies of those often marginalized in society. How might this figure, seemingly unbound and ascending, function as a visual metaphor for liberation during a time of immense social upheaval and burgeoning feminist thought? Editor: I hadn't considered that. The ascending figure as a representation of a woman seeking liberation. It is true that this person is surrounded by clouds. Is this figure reaching towards spirituality and change? Curator: The clouds can suggest multiple readings. We can understand the print to reflect the relationship of the artist to notions of divine intervention. Do you find elements of Romanticism apparent? Perhaps nature serving as witness? Think about how the artwork navigates those themes within its historical context. Editor: Yes, absolutely. Romanticism valued the individual and emotions, in nature. In a sense, she embodies that. That gives me so much more to think about regarding the visual conventions for figures and gender at the time, thanks! Curator: Exactly. It’s about recognizing how artists both conformed to and challenged prevailing ideologies of the period, offering complex commentary through visual means. Hopefully this helps when viewing similar works in the future.