Mercurius 1880 - 1932

Editor: This striking woodcut is titled *Mercurius*, made by Henri van der Stok between 1880 and 1932. It feels…intense. The geometric face seems to stare right through you. What do you see in it? Curator: It’s quite the presence, isn't it? For me, this piece whispers of secret knowledge and coded messages. The rigid lines contrast with the organic quality inherent in woodcuts, that feels very purposeful. This wasn’t just about depicting Mercury; it’s about channeling the symbolic essence of quicksilver, change, communication. Editor: You're right, it feels very deliberate. I also see a nod to Art Nouveau, but with this hard, almost machine-like edge. Is the symbolism as simple as Mercury being the messenger god? Curator: Ah, but that’s the delightful trap of symbolism! It’s never just *one* thing. Notice the stars – little bursts of energy surrounding the figure. Think about how the "messenger" bridges the celestial and terrestrial. Does that change your perspective? Editor: It does! Now I'm seeing this face as a sort of conduit, or perhaps even an electric circuit – channeling something greater. But who was van der Stok sending his message to, or from? Curator: That, my friend, is the most intriguing question. Maybe he was talking to himself. Maybe to the future. Art at its best holds many possibilities. Editor: That's fascinating. I initially saw it as rigid, but now I see layers of potential within. Curator: Exactly! And isn't it amazing how one work of art can contain a universe of perspectives?