Portret van een zittende man met snor en sik by Albert Greiner

Portret van een zittende man met snor en sik 1861 - 1887

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daguerreotype, photography

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portrait

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aged paper

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toned paper

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earth tone

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daguerreotype

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photography

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brown and beige

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warm toned

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home decor

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brown beige

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warm-toned

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neutral brown palette

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brown colour palette

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realism

Dimensions: height 81 mm, width 52 mm

Copyright: Rijks Museum: Open Domain

Editor: We're looking at a daguerreotype by Albert Greiner, dating somewhere between 1861 and 1887. It’s called "Portret van een zittende man met snor en sik" – "Portrait of a seated man with mustache and goatee.” The tones are gorgeous, almost sepia-like, and it's making me feel wonderfully nostalgic. What captures your attention most in this portrait? Curator: It’s interesting you say that. The tones really transport you, don't they? For me, it’s the sitter’s almost weary gaze. There's a story there, I think. Perhaps he’s contemplating something, or maybe it’s just the exhaustion of being photographed with the longer exposure times. Look at his attire, the detail picked up with the daguerreotype; doesn't that ornate chair practically scream status? He is striking a casual, but undeniably posed, posture. Does that speak to you? Editor: Absolutely! The chair really adds to that impression of status and maybe hints at his personality—someone who appreciates the finer things. And, yes, you are right – that gaze could tell a thousand stories. I had just interpreted it as thoughtful, but the longer exposure makes so much sense. Curator: Right? The technology influences not just the process but also how we read the final piece. The world wasn’t snapping selfies back then, you know? This was considered serious business, an act of memorialization! Did anything jump out at you as unexpected or intriguing? Editor: I suppose I hadn't considered it from the memorialization aspect. I am also surprised at the great level of details the daguerrotype produces.. Curator: A time capsule, wouldn't you say? Photography still has that power but this work really has a wonderful quality. Editor: It does. I definitely see this work in a completely new light now!

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