Wijnkopersgilde van Amsterdam, begrafenispenning van David Dornville 1621

Editor: We're looking at a 1621 metal relief sculpture commemorating David Dornville, created by Albert Frijlinck for the Amsterdam Wine Merchant's Guild. The two sides feature a skull and crossbones versus a wine goblet overflowing with grapes. It feels… morbid yet celebratory, this stark duality. What strikes you when you look at it? Curator: Immediately, the meticulous detailing of the low relief is impressive, especially considering the medium. Notice the stark contrast between the imagery on each side: the memento mori of the skull and bones encircled by wilting laurels on one side, and the overflowing goblet with grapes on the other. How do these contrasting compositions speak to you? Editor: Well, the skull side feels very enclosed and final with that tight laurel border. The grapes seem freer, reaching outwards. Is it about life versus death, a reflection on the deceased? Curator: Precisely! The circular format echoes the cyclical nature of existence, mortality and renewal intertwined. Structurally, consider how Frijlinck uses depth and line to create these contrasting effects. The deep relief on the skull emphasizes its presence, while the finer lines of the grapevines suggest abundance and continuation. Does that refined line work on the grapes and goblet have another message? Editor: Perhaps it is gesturing towards a hope for immortality through legacy? The wine trade continuing even after death? Curator: A sound suggestion. Semiotically, the artist uses conventional symbols—the skull as vanitas, the grapes as prosperity and fertility. Consider the weighting on the medal of the imagery on both sides when it is flipped; what statement do you see being made there? Editor: It's almost like a scale… Life and death in balance. I hadn't noticed how cleverly the artist was working with the piece's structure itself to get that across. Thanks. Curator: Indeed. By analyzing the form and structure, the artist's intention emerges more clearly: a powerful statement about life’s ephemeral beauty, crystallized in metal.