Worship of the Golden Calf n.d.

Antonio Zannoni created this wash drawing, titled “Worship of the Golden Calf”, in the 19th century. The eye is immediately drawn to a dynamic assembly of figures set against a lightly washed background, dominated by sinuous lines and a monochromatic palette. The composition pulses with movement, from the central idol to the scattered poses of the adoring figures. Zannoni uses the narrative to investigate the role of idolatry and societal breakdown. The classical figures, rendered with an almost frantic energy, reflect a departure from traditional, structured compositions. Instead, Zannoni embraces a more fragmented, dynamic approach. The drawing may challenge fixed meanings, prompting us to question the nature of faith, authority, and the consequences of societal desire. Look closely at the drawing’s unfinished quality and the way the ink washes bleed into the paper. This functions not just aesthetically, but also encourages ongoing interpretation and discourse.