drawing, print, intaglio, paper, ink, engraving
drawing
narrative-art
intaglio
figuration
paper
11_renaissance
ink
history-painting
northern-renaissance
engraving
Dimensions: 253 mm (height) x 194 mm (width) (monteringsmaal), 250 mm (height) x 190 mm (width) (bladmaal)
This print, Abigajil formilder David, was made by an anonymous artist using a technique called engraving. Engraving is an intaglio process where the artist uses a tool called a burin to carve lines directly into a metal plate. The plate is then inked, and the ink is caught in the engraved lines. When paper is pressed against the plate, the image transfers, resulting in a print with a distinctive, precise quality. The dense network of lines creating shading and detail speaks to the labor-intensive nature of engraving. Each line had to be carefully considered and executed, reflecting a significant investment of time and skill. It was a meticulous, demanding process, far removed from the gestural freedom of drawing or painting. The print served not just as a means of artistic expression, but as a vehicle for disseminating images and ideas in a pre-photographic era. Appreciating the work means understanding the complex interplay between artistry, craft, and social communication.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.